Artists

to be inspired by…

Bright textural painting
Black and white mural of São Paulo around the 1930s, featuring classic cars.
Painting: Portrait of a young woman, her skin filled with opaque imagery of sea creatures, mermaids, people and fan-motifs etc
Painting self-portrait: One "self", shown in an outline of a purple dress, is in a tug of war against four other "selfs" who are largely unpainted.
Photograph with a painterly appearance to it. The image is a self-portrait of the photographer Fred Herzog. The image shows a young Fred Herzog looking sideways and up from the table. Light has come in from the window which centres the image and creates a dramatic use of light to frame Herzog's face. It also shows artwork on the walls and a pen in Herzog's hand.
Painting: A young women crouches between threatening waves, she grasps a red stick, while a bird of prey flies beside her holding a larger branch. The woman, the bird and the waves are painted in shades of blue, while the skyline is oranges
Sculpture: A narrow pole reaches up from the floor, its top covered by a small square rest. From this rest a girl hold herself upright by one arm, the other extended out to the side, while her legs are crossed and held up and behind her head - curving her form.
Drawing: A hyper-realistic image of large ice-cap it's gradient of light to dark blue.
Painting by John Singer Sargent showing a floral garden, where two young girls hold paper lanterns
Digital painting: Cloudy skyline with pale flowers gathered together in the middle, with spots of bright green flowers dotted amongst them.
Drawing: A man's head splits in two - one part looks forward, while the other is twisted and separated as it looks behind - only thin tendrils of colour "spirit" connect the two.
Installation: A large cavernous room fills with "clouds" made of foam.
Painting: A man stands in a pale pink and white striped shirt, in his left hand he holds a bowl, in his right he appears to hold a long white stick. The background is a floral swirl of yellow and blues.
Contact sheets, whose collective images show the Golden Gate Bridge in San Francisco
A wooden panel designed like the architectural plans of a house, wedged between the rooms are ghostly figures of women, some of which are incomplete
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